Logo mark

Thin / Italic

Pony EXPRESS
TELEGRAMS From
Office, 84 Broadway.
Up to 2½ (P.M.)
Time in Transition!

Extra Light / Italic

Royal
Philatelic
Collection

Symbols

💕

Extra Light

Stylistic Set

Antique Forms

Horizontal Terminal

Angled Terminal ‘S’

Vertical Ligatures

MISSING JENNIES

Light

In 1984, the Treskilling Yellow made international headlines when it was sold by David Feldman for 977,500 Swiss francs. The stamp changed hands again in 1990 for over $1,000,000, and once more in 1996 for 2,880,000 Swiss francs, with each successive sale setting a new world record price for a single postage stamp. On 22 May 2010, the stamp returned to auction with David Feldman in Geneva, Switzerland. The auction was set with a minimum expectation of $2.3 million, referencing the record price from 1996. The buyer was reported as an “international consortium,” while the seller, a financial firm, was auctioning the stamp to settle a former owner’s debt. The exact sale price and the identity of the buyer were not initially disclosed, with all bidders sworn to secrecy. Nevertheless, the auctioneer confirmed that the Treskilling Yellow remained “worth more than any other single stamp.” The buyer was later revealed to be Armand Rousso, a notable figure in philately, known for several high-profile and sometimes flamboyant activities. In May 2013, the stamp was acquired through a private sale by Count Gustaf Douglas, a Swedish nobleman and politician. The Treskilling Yellow has also been at the center of legal intrigue. In or before 2012, Jean-Claude Andre and his wife Jane Andre filed a lawsuit in the High Court of Justice, Chancery Division, London, against Clydesdale Bank PLC. They claimed to have stored a locked trunk at the bank containing six covers bearing a total of nine Treskilling Yellow stamps, along with other valuable items. Andre alleged that the trunk had remained untouched from 1986 to 2004, but upon retrieval, the lock had been removed and the covers and stamps were missing. Philatelic dealer David Feldman testified that the stolen covers would have been valued at approximately £3.7 million. After a thorough trial, the court issued its judgment on 31 January–1 February 2013, dismissing the Andres’ claims, finding them unreliable witnesses and describing their story as suffering from “sheer inherent implausibility.” The fame of the Treskilling Yellow has even crossed into popular culture. In episode 2, “Return to Sender,” of season 6 of the television series White Collar, the protagonist Neal Caffrey is tasked with stealing the Treskilling Yellow as part of a heist orchestrated by an exclusive group of thieves known as The Pink Panthers. The stamp is depicted in high detail,

Light / Italic

The Qing Dynasty
(Crown Jewel)
120¥ Million Yuan
Overprinted

Regular Italic

ROLLS BOOK

Regular

Stylistic Set

Antique Forms

Adaptive ‘t’

Discretionary Ligatures

Letter to Print

Medium / Italic + Stylistic Set

The (Most) Expensive Item
Stuart Weitzman, $9,480,000
½ Grano Blue (Error of Colour)
David Feldman, 977,500 CHF.-
Mauritius Blue—£2½ Million

Medium

Ⓓ🅾 🄻Ⓛ 🅐🅁

Semi Bold

Ⓕ Franc 🅁 Rand 🅛 Lira Ⓚ Krone 🅲 Colón 🅉 Złoty Ⓡ Rupee 🅝 Naira 🅴 Euro Ⓟ Pound 🄳 Dirham 🅱 Baht Ⓟ Peso 🅚 Krona 🅆 Won Ⓨ Yen

Semi Bold

Stylistic Set

Horizontal Terminal

Original ‘1’

Thin Punct. & Math

12,3605.-

Bold

The most valuable Hawaiian Missionary item known today is the legendary Dawson Cover—a letter sent to New York City, franked with the only recorded use of the 2-cent Missionary stamp on cover, alongside a 5-cent Missionary and two 3-cent U.S. stamps. Its story is as extraordinary as its rarity. Around 1870, the cover was bundled with other correspondence and thrown into a factory furnace. The stack was packed so tightly that the fire choked out before it could burn the letters. One side of the Dawson Cover still shows a dark scorch mark from that near-disaster—a silent witness to how close it came to being lost forever. About 35 years later, a workman cleaning the furnace for reuse pried it open and found the forgotten bundle. Realizing the letters looked unusual, he saved them from oblivion—rescuing what would become one of philately’s greatest treasures. Over the decades, the Dawson Cover passed through several famous hands. G.H. Worthington bought it in 1905; A.H. Caspary acquired it in 1917 for $6,100; and in 1957 the Weill brothers purchased it for $25,000 on behalf of Benjamin D. Phillips. Eleven years later it left the Phillips collection for $90,000. In the 1995 Siegel auction it realized $2.09 million, and in 2013 it sold again to an American collector for $2.24 million, securing its place among the world’s most valuable philatelic artifacts. The Dawson Cover, depicted on the 2002 U.S. Souvenir Sheet (Scott 3694), may even offer physical evidence of the 1850 Treaty of Friendship, Commerce, and Navigation between the United States and the Kingdom of Hawaii. Under Article XV, Hawaii’s Minister of Foreign Affairs, Robert Crichton Wyllie, urged San Francisco postmaster J. B. Moore on September 9, 1850, to implement the treaty’s mail-exchange provisions quickly—a move aimed at reinforcing Hawaii’s sovereignty amid concerns over French ambitions. Moore agreed later that year, and Honolulu’s first official post office opened on December 21, 1850. Not all Missionary stamp discoveries have been free of controversy. In 1920, forty-three additional examples surfaced from the family of Charles Shattuck, whose mother had exchanged letters with her childhood friend Ursula Newell Emerson, matriarch of a prominent missionary family. Acquired by collector George H. Grinnell and later sold to dealer John Klemann for $65,000, the stamps became the focus of a major legal dispute in 1922 when their authenticity was questioned. At the time, experts concluded they had been produced by photogravure.

Bold / Italic

COLLECTION ⓄⒻ
SPECTACULAR
INVERTED STAMPS
🅾🅵 🅣🅗🅔 UNITED
STATES 🄰🄽🄳
ⓉⒽⒺ WORLD

Black

Stylistic Set

Antique Forms

Angled Terminal ‘S’

Discretionary Ligatures

KOO’S WORKS

Variable

BULLDOG
BULLDOG
Discretionary Ligatures
Transit
Transit
ss07Alternate ‘Arrow’
Stamps
Stamps
ss04Angled Terminal ‘S’
1615.89
1615.89
Oldstyle Figures
William
William
ss01Double-storey ‘a’
RELEASE
RELEASE
ss05Block Ligatures
NEWELL
NEWELL
ss02Antique Forms
MISSING
MISSING
ss06Vertical Ligatures
{GLUE}
{GLUE}
Case Sensitive Forms
BLUE
BLUE
ss08Outline Circle
PENNY
PENNY
ss11Full Square
Goal 62
Goal 62
ss03Horizontal Terminal
(Honolulu).
(Honolulu).
ss19Thin Punct. & Math
POST
POST
ss10Outline Square
BASEL
BASEL
ss09Full Circle
$18,914.-
$18,914.-
ss12Original ‘1’

Glyph Table

A
Glyph Name
A
Characters
Latin Capital Letter A
Unicode Hex
U+0041
Active OT Features
None

Uppercase

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

Lowercase

a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z

Lining Figures

1
2
3
4
5
6
7
8
9
0

Punctuation

.
,
:
;
!
¡
?
¿
/
\
·
*
#
(
)
{
}
[
]
-
_
«
»
"
'
·
@
&
§

Latin-Supplement

Æ
æ
Đ
đ
Ð
ð
Ħ
ħ
İ
ı
ij
IJ
ȷ
ĸ
Ŀ
ŀ
Ł
ł
Ŋ
ŋ
ʼn
ſ
Œ
œ
Ø
ø
Þ
þ
Ŧ
ŧ
ß
Ƶ
ƶ
°
®
©

Multilingual Support

Δ
Ω
μ
π

Uppercase (Diacritics)

Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Ǽ
Ć
Č
Ç
Ĉ
Ċ
Ď
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
Ğ
Ĝ
Ģ
Ġ
Ĥ
Í
Ĭ
Î
Ï
Ì
Ī
Į
Ĩ
Ĵ
Ķ
Ĺ
Ľ
Ļ
Ń
Ň
Ņ
Ñ
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ŕ
Ř
Ŗ
Ś
Š
Ş
Ŝ
Ș
Ť
Ţ
Ț
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
Ŵ
Ý
Ŷ
Ÿ
Ź
Ž
Ż

Lowercase (Diacritics)

á
ă
â
ä
à
ā
ą
å
ã
ǽ
ć
č
ç
ĉ
ċ
ď
é
ĕ
ě
ê
ë
ė
è
ē
ę
ğ
ĝ
ģ
ġ
ĥ
í
ĭ
î
ï
ì
ī
į
ĩ
ĵ
ķ
ĺ
ľ
ļ
ń
ň
ņ
ñ
ó
ŏ
ô
ö
ò
ő
ō
õ
ŕ
ř
ŗ
ś
š
ş
ŝ
ș
ť
ţ
ț
ú
ŭ
û
ü
ù
ű
ū
ų
ů
ũ
ŵ
ý
ŷ
ÿ
ź
ž
ż

Ligatures / Discretionary Ligatures

Circular Letters/Numerals

🅐
🅑
🅒
🅓
🅔
🅕
🅖
🅗
🅘
🅙
🅚
🅛
🅜
🅝
🅞
🅟
🅠
🅡
🅢
🅣
🅤
🅥
🅦
🅧
🅨
🅩

Square Letters

🄰
🄱
🄲
🄳
🄴
🄵
🄶
🄷
🄸
🄹
🄺
🄻
🄼
🄽
🄾
🄿
🅀
🅁
🅂
🅃
🅄
🅅
🅆
🅇
🅈
🅉
🅰
🅱
🅲
🅳
🅴
🅵
🅶
🅷
🅸
🅹
🅺
🅻
🅼
🅽
🅾
🅿
🆀
🆁
🆂
🆃
🆄
🆅
🆆
🆇
🆈
🆉

Currency Symbols

฿
¢
¤
$
ƒ
£
¥

Oldstyle Figures

1
2
3
4
5
6
7
8
9
0

Tabular Figures

1
2
3
4
5
6
7
8
9
0
฿
¢
¤
$
ƒ
£
¥
.
,
+
×
÷
=
>
<
±
~
¬
°

Oldstyle Tabular Figures

1
2
3
4
5
6
7
8
9
0

Ordinal indicator

ª
º

Superscript

1
2
3
4
5
6
7
8
9
0

Numerator

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
IJ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ø
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Ƶ
1
2
3
4
5
6
7
8
9
0

Denominator

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
IJ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ø
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Ƶ
1
2
3
4
5
6
7
8
9
0

Subscript

1
2
3
4
5
6
7
8
9
0

Numbers Forms

½
¼
¾

Mathematical Operator

|
¦
+
×
÷
=
>
<
±
~
¬
^
µ
%

Slashed Zero

0

Arrows

Symbols

💕

Case Sensitive Forms

:
;
¡
¿
·
(
)
{
}
[
]
-
«
»
@

Diacritical Marks

´
ʼ
˘
ˇ
¸
ˆ
¨
˙
`
˝
¯
ˉ
˛
˚
˜

Stylistic Alternates

Stylistic Set 01 / Double-storey ‘a’

a
á
ă
â
ä
à
ā
ą
å
ã

Stylistic Set 02 / Antique Forms

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Ǽ
J
Ĵ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
M
N
Ń
Ň
Ņ
Ñ
O
R
Ŕ
Ř
Ŗ
W
Ŵ
Y
Ý
Ŷ
Ÿ
🅐
🅙
🅛
🅜
🅝
🅟
🅡
🅦
🅨
🄰
🄹
🄻
🄼
🄽
🄿
🅁
🅆
🅰
🅹
🅻
🅼
🅽
🅿
🆁
🆆
🆈

Stylistic Set 03 / Horizontal Terminal

C
Ć
Č
Ç
Ĉ
Ċ
G
Ğ
Ĝ
Ģ
Ġ
🅒
🅖
🄲
🄶
🅲
🅶
2
3
5
6
9
½
¾

Stylistic Set 04 / Angled Terminal ‘S’

S
Ś
Š
Ş
Ŝ
Ș
s
ś
š
ş
ŝ
ș
🅢
🅂
🆂
$

Stylistic Set 07 / Alternate ‘Arrow’

Stylistic Set 08 / Outline Circle

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
0

Stylistic Set 09 / Full Circle

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
0

Stylistic Set 10 / Outline Square

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
0

Stylistic Set 11 / Full Square

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
0

Stylistic Set 12 / Original ‘1’

1
¹
½
¼

Stylistic Set 16 / Smallsize Top

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
IJ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ø
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Ƶ
1
2
3
4
5
6
7
8
9
0

Stylistic Set 17 / Smallsize Centered

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
IJ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ø
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Ƶ
1
2
3
4
5
6
7
8
9
0

Stylistic Set 18 / Smallsize Bottom

A
Á
Ă
Â
Ä
À
Ā
Ą
Å
Ã
Æ
Ǽ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ë
Ė
È
Ē
Ę
F
G
Ğ
Ĝ
Ģ
Ġ
H
Ħ
Ĥ
I
Í
Ĭ
Î
Ï
İ
Ì
Ī
Į
Ĩ
IJ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ö
Ò
Ő
Ō
Õ
Ø
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ù
Ű
Ū
Ų
Ů
Ũ
V
W
Ŵ
X
Y
Ý
Ŷ
Ÿ
Z
Ź
Ž
Ż
Ƶ
1
2
3
4
5
6
7
8
9
0

Stylistic Set 19 / Thin Punct. & Math

°
.
,
:
:
;
;
!
¡
?
¿
/
\
·
*
#
(
)
{
}
[
]
-
_
«
»
"
'
·
@
&
§
|
¦
+
×
÷
=
>
<
±
~
¬
^
µ
%

Gerrit originates from the graphic work of Nicolaas P. de Koo for the Dutch PTT (Post, Telegraph and Telephone service), where typography had to meet the demands of readability and visual consistency in public communication. This approach was reinforced and enriched by the “Monumental-Versalien” presented in Schriften, Einfassungen (1910). This geometric sans serif, whose formal clarity often resonated with the forward-looking vision of its time, brought cohesion to typographic design while extending N. P. de Koo’s graphic intentions.

It belongs to the typographic movement of the 1920s and 1930s, shaped by the graphic experiments of figures such as Paul Schuitema, and following in the footsteps of Wilhelm Deffke’s pioneering work. At the crossroads of constructivism, geometry, and functional rationality, Gerrit positions itself as a typeface that is rigorous in form, yet open to playfulness and stylistic flexibility.

Specs sheet

Design & Production
Sale Character
Spacing & Kerning
Igino Marini
Glyphs
1900
Engineering & Mastering
Sale Character
First released
by Sale Character in 2026
Classification Vox-Atypi
Geometric
Version
1.000
Last updated
01.12.2025
File Format
Variable / .otf / .ttf / .woff2

Languages Compatibility

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Māori, Meru, Mohawk, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Quechua, Rejang, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Sundanese, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Welsh, Western Frisian, Wolastoqey, Wolof, Xhosa, Zulu
Sale Character monogram combining the initials “S” and “C” in a minimal typographic form.
Sale Character facemark representing the brand’s expressive and playful visual identity.
SALE CHARACTER FONTZ WIT ATTITUDES

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Walla Regular
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